Cherchez les femmes

Bit of a mish mash at Margate Contemporary. Poor signage, tricky catalogue. Why make life so difficult? Still, there were some highlights

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The Merz ‘alien’

When winning is losing

Exhibition at the Army Museum in Paris gets us in the mood for the agony and ecstasy of the Olympic Games which the city is staging this year.


Victory parade under the Arc de Triumph at end of World War One

Fake views

Brilliant small show at the Courtauld (that brilliant small gallery) about the arts and craftiness of the fakes and forgers over the centuries.

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When the fighting has moved on...

There are many brave, inventive, photographers of war. But few capture the pathos, the suffering and the quiet dignity of the victims as well as Ivor Prickett.

Read more: https://www.theneweuropean.co.uk/no-home-from-war-images-of-conflict-survival-and-loss/

Two above: Syrian refugees.

Below the grieving woman in Mosul

Less is more

I first came across the Italian artist Giorgio Morandi in a gallery on an island near Stockholm, artfully called the Artepeligo. He was teamed with actual potteries by Edmund de Waal and the result was quietly breathtaking. Here he is by himself.

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Mr Turner uncovered

My view of the artist Turner’s love life was clouded by his unlovely portrayal in the Mike Leigh film, Mr Turner. The truth is more nuanced and harder to identify.

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Better late than never

Visited Bruges in Belgium a few years ago. Delightful. But surprised to find a museum dedicated to Frank Brangwyn - a man of parts if ever there there was. Doesn’t get the approbation he deserves but does have an exhibition of one of his major projects at the Ditching Gallery in deepest Sussex.

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A place to swear by

Procida, an island in the Bay of Naples is a joy. Spared the worst of the crowds which flock to Ischia, Capri and Sorrento it has a clear sense of its identity. It relies on fishing - as the fabulous sea food testifies - and maritime work for its income and on tourism. Actually, the people there told me on a number of occasions that they don’t want too many tourists which makes their bid to become Italy’s Capital of Culture hard to understand. Anyway, the headline in The New European says it all.

The picture shows the view from the old prison high on a bluff above the two main ports. I wondered if the blue skies and inviting seas cheered the inmates or made them even more frustrated and depressed.

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PS I don’t write the headlines!